Shelly Leachman, UC Santa Barbara
What would the New York Times look like if every article that mentioned the humanities were removed? Would the iPhone be so elegant if Steve Jobs, famously staunch advocate of liberal arts that he was, had never taken the college calligraphy course that provided early inspiration for Apple’s design aesthetic?
Such are the sort of questions under examination by UC Santa Barbara’s Alan Liu, by way of his advocacy initiative 4Humanities. A professor of English at UC Santa Barbara and a globally renowned expert in digital humanities, Liu co-founded the organization that aims to combat pessimism about the value of a liberal arts education.
“The whole thing began in bad times, during the great recession,” Liu recalled of the grassroots effort he launched with colleagues in England, Canada and the U.S. in 2010. “It occurred to us that new media tools and digital tools could really be used to help advocate for the humanities in ways that short circuit the usual slow levers universities use to talk to the public, and allow faculty and scholars to talk to the public directly.”
More than five years in, 4Humanities’ push to generate attention for the field even outside academia has now notched its biggest win so far by engaging the group that stands to best benefit from the endeavor: humanities students. The organization’s inaugural “Shout Out for the Humanities” contest drew hundreds of submissions from liberal arts students at colleges and universities in some 10 different countries.
“This contest has been the greatest progress 4Humanities has made, in terms of impact that has the potential to reach outside our little bubble of the academic world,” Liu said. “The goal was to incubate consciousness about the humanities and use the process of the contest itself as a proselytizing tool. Most efforts to speak up for humanities are the voices of people like us — scholars, faculty, administrators — and rarely do we hear the views of students.
“The idea for the contest was to prompt a lot of statements and multimedia content about humanities from students themselves,” Liu continued. “And it really went beyond expectation in terms of the quality of submissions and the types of answers we received.”
Case in point: André Lynch, of Saint Lawrence University in New York, who took first prize in the graduate student category for his original rap and self-produced music video, “Facts of Humanities.” The University of California made a strong showing, too, with top undergraduate honors going to a team from UC Santa Cruz whose essay detailed their work on The Gail Project, a public history collaboration that revolves around American military occupation in Okinawa.
“Our premise was really two questions: ‘What is valuable about the humanities for you, and what is valuable about humanities for society at large?’” Liu explained. “In response we got a much wider horizon of vision than we expected. People complain about millennials being self-centered or overly career-driven, but what we’ve seen is that just under surface is still that old 1960s, 1970s kind of college student passion and interest in a larger vision for the world. And that’s very refreshing.”
Throughout the summer and into the fall, 4Humanities will be publicizing all the contest submissions it received, in its continued push to bolster public opinion of the humanities and the future prospects for students that follow such a path. To that same end, the organization has begun employing data-mining methods to examine the myriad ways that humanities are represented, and presented, in the media — from big stories in major publications to back-page obituaries.
“The goal is to map out the expected memes, if you will, about humanities — declining majors and so on — but we’re really on the hunt for unexpected topics and themes and connections with other provinces of social concern as well,” Liu said. “We hope to stretch the discourse in different directions and in the end produce a sort-of kit that people who care about the humanities can use to talk to the public and to the powers that be in their own institutions and communities.
“Humanities haven’t had a tradition of public relations-type work, and we’ll probably always be playing catch-up,” Liu added. “Higher education in general no longer has a monopoly on knowledge work. But the more scholars expose their work and research to public view — whether it’s through lecture notes or articles or blogs or Twitter posts — the more we enhance public understanding and appreciation of the humanities.”